Monday, January 31, 2011

The Sound of War



Sound Designer Drew Vanderberg really shook things up on Sunday. Antoinette had been interested in having the sounds of the world come from the actors and that really resonated with me. The sounds of the world come from the people because we have created our own war. From screams, whispers, breathing, and melodies, Drew recorded some really unique sounds from the cast to create the soundscape for this production.

Saturday, January 29, 2011

Read through

Wednesday was a big night for us. We read through the entire play with the new edits for Antoinette and it was really eye-opening. The foundation for the play is established and now we are going to go into each scene and relationship and crack it open. Black Boy's journey is a complicated one and Temesgen and I are just now starting to build those layers. Brandie is doing such a beautiful job with Miss Graham, making her both joyful, aggressive, and vulnerable. Just when rehearsal ends when the clock hits 10pm, we just unlock a new discovery! We have all been leaving rehearsal on a high...

Friday, January 28, 2011

what i learned while eating sunchips



from the back of the bag (green, french onion flavor): BIG CHANGES CAN COME FROM SMALL STEPS.

amen, sun chips. amen.

What's the Story Of Your Name? Part 4 [BB&TW CAST]



Taking some time away from rehearsing TMTC was able to get some of the cast of Black Boy & The War to play the Name Game!

Remember to get your tickets today for The Movement Theatre Company's workshop production of Antoinette Nwandu's play Black Boy & The War directed by Jesca Prudencio: Feb. 10th- 20th.

WHAT'S THE STORY OF YOUR NAME? Post your own video on our blog or facebook page.

More about Black Boy & The War here: http://tmtcblog.blogspot.com/
More on TMTC here: www.themovementtheatrecompany.org

Thursday, January 27, 2011

writing is like...


writing is like
picking at a scab
and then
wincing
ouch!
taste the blood
that trickles
down
down
down
yur leg.


writing is like
you
stuck on the pot
constipated
pushing
gnnuuuuugh
gnnuuuuugh
and then
plop!
a breakthrough
whew...
don't that feel good
hmmph
don't that smell awful

writing is like
i see it
i see it
i see it
i don't

Tuesday, January 25, 2011

writing a play is hard


i suppose i should have something to say before logging on, but the only thing that comes to mind at the moment is that writing a play is hard. no, it's impossible. just like having a baby or saying you're sorry, it's one of those impossible things that people seem to do every single day, but not after a ton of work, most of which we don't see or overlook. so, here's to the hard work. and the wonderful folks who join together to make it happen. every single day.

Why Do We Care About Our Names?


TMTC speaks to the director, Jesca Prudencio at rehearsal to explain the importance of a name and how it reveals itself in the story Black Boy & The War.

More on TMTC here: www.themovementtheatrecompany.org

Monday, January 24, 2011

Pondering Design

For the vision of the design, I am interested in self identity. Since "The Corporation" has now taken over New York, they stripped everyone of their name and identity. Marlena and I had a great conversation today about people dressing themselves based on a decade they relate to or memory. Although the play takes place in the future, the design should not feel "futuristic." New York City is now burning ruins, and they are piecing back together their lives. Also, how do they wear the war? Here are some costume image references:







Sunday, January 23, 2011

WHAT’S THE STORY OF YOUR NAME? Part 3



TMTC is keeping the camera rolling as we share another story!! Leading up to the workshop production of Antoinette Nwandu’s show Black Boy & The War [ Feb 10-20th Directed by Jesca Prudencio] 

WHAT’S THE STORY OF YOUR NAME? Post your story on our blog!!

Thursday, January 20, 2011

New Prologue

This evening we played with a new Prologue scene. It is done with the ensemble setting up the world giving the audience a sense of place and circumstance for the story that unfolds. It's fast, rhythmic, dynamic, and bold, a different texture to the rest of the piece in a thrilling way. We have done a lot of exploratory gesture work in the past two weeks and we have found places in the Prologue to incorporate those movements. Soldier, Conflict, Mine, and Leader are just a few words that we used in exercises to find the physical world of Black Boy & The War.

What do you think NYC will be like in 2022?

Wednesday, January 19, 2011

Impulse Images


Here are a few of my impulse images I have shared with the team as we create the world...

Playworld


Black Boy


The Woman

The Graphic for BB&TW is done!!


By Byron Rockwell :)

What Does Your Name Mean? Part 2



TMTC is at it again!! Leading up to the workshop production of Antoinette Nwandu’s show Black Boy & The War [ Feb 10-20th Directed by Jesca Prudencio] TMTC will be asking people, “What’s The Story Of Your Name?”
WHAT’S THE STORY OF YOUR NAME? Post your story on our blog!!

Tuesday, January 18, 2011

Note from BB&TW Director: Welcome!


Welcome to our process of making Black Boy & The War. We are about a week and a half into rehearsal with our brilliant cast and it has been eye-opening experience, in finding the world in which this play takes place. We know that we are in a post-war state. The battle may be over, but the smell of war is still in the air. How does one cope with this new status quo? Submit? Rebel? Cooperate? Hide? Looking forward to continuing the conversation tonight!

What Does Your Name Mean? Part 1


TMTC is getting ready to showcase the workshop production of Antoinette Nwandu's show Black Boy & The War [ Feb 10-20th Directed by Jesca Prudencio] and we are asking people, "What's The Story Of Your Name?"

WHAT'S THE STORY OF YOUR NAME? Post your story on our blog!!

Monday, January 17, 2011

The Cast of Black Boy & The War



Milan Sinclair Conner *, Geri-Nikole Love,  Cornell L. McIntosh, 
Brandie Moore *, Charity Phalo, Temesgen Tocruray

*  : AEA Member

Who Are the Artists On Black Boy & The War?


Antoinette Nwandu (Playwright) is a New York based writer by way of Los Angeles. Her play FLAT SAM was awarded the Lorraine Hansberry Playwriting Award and the Negro Ensemble Company’s Douglas Turner Ward Playwriting Award. WAITIN ON THE #17 and GUARD DUTY have been produced by The First Look Theatre Company; and BREACH was developed at The Public Theater’s Festival of New Works. In addition her work has been developed and produced by WordBRIDGE Playwrights Laboratory, The Monarch Theater Company, and The Movement Theater Company, where she is a member playwright and co-founder, with Stacy O’Neill, of Moving Up/New Works, TMTC’s play development workshop. Nominations include The Weissberger Award, The Cherry Lane Mentorship Project and The PONY Fellowship. Antoinette graduated magna cum laude from Harvard University and holds masters degrees from The University of Edinburgh, and NYU/Tisch. She is a member of the Dramatist Guild.


Jesca Prudencio (Director) is a theater director and designer based in New York City.  Recent directed credits include The Girl in the Park (Fringe NYC), Traces of Eruption which she conceived and directed (TMTC 2010 Ladder Series), Where the Heart by Antoinette Nwandu (TMTC Go Green), and A Play for an All White Stage (Old Vic Theatre)  as a 2010 directing recipient for the TS Eliot US/UK Exchange.  Jesca has a BFA from NYU where she directed The Magic Cave of Salamanca, INFANCY, and BFE. She also directed original musicals Balik Puso and The Flipside both written and produced by the International Filipino Association.  She is the Education Coordinator and Production Associate at Ping Chong & Company where she has assisted Ping Chong on various projects such as The Devil You Know (Public Theater's Under the Radar Festival) and Throne of Blood (BAM's 2010 Next Wave Festival).

More on the Ladder Series....

The Movement Theater Company’s Ladder Series is a development workshop dedicated to the creation of bold new theatrical works through dialogue and collaboration.

Ladder Series projects can begin anywhere—with an image, a song or a movement phrase. We are interested in what moves you, what makes you question, what inspires a closer look. Scripts are not necessary. Proposals can be submitted by artists from any discipline.  

Artists whose proposals are selected for the series are provided with an artistic team, rehearsal space and the full support of the TMTC Executive Board and membership. The workshop process culminates in a public showing.

Proposed projects should reflect The Movement Theater Company’s mission.

Who is The Movement Theatre Company?


Founded in 2007, The Movement Theatre Company [TMTC] is a not-for-profit organization fiscally sponsored through Fractured Atlas. Rooted in the storytelling tradition, our goal is to generate a social movement by showcasing the country's most talented, cosmopolitan artists who aspire to create unique ways of expressing the stories of their cultures and communities. Our company is currently under the leadership of David Mendizábal – Artistic Director, Eric Lockley – Executive Director, Deadria Harrington – Administrative Director, Jonathan McCrory – Marketing Director, Christiamilda Correa – Communications Director, and comprised of 38 members who value artistic excellence.

In our first year, we promoted new voices and nurtured artists through a developmental process of theatre, including three new plays.  In 2008 TMTC launched its first official season. Three new development programs were created - the Elevator Reading Series designed to support emerging playwrights through staged readings, the Ladder Series which focuses on the development of devised theatre and GO GREEN, where we dedicate our attention to developing theatre that incorporates and addresses eco-friendly practices. These programs have showcased the work of over 100 playwrights, directors, actors and visual artists. 
In our 2009-2010 season, TMTC rose to new heights. We presented two devised pieces in our Ladder Series: Hope Speaks & Traces of Eruption. Both were highly successful and Hope Speaks is touring throughout the East Coast.  We presented eco-friendly theatre at a NYC park with GO GREEN:Elements.  Over 35 multidisciplinary artists came together at our Elevator Reading Series Festival: Impact of Change. Our artists have also gone into schools throughout NY, NJ, and MD to present their work, reach out and inspire younger audiences.  TMTC received unprecedented critical and community praise for the North American Premiere of Koffi Kwahule's riveting play, Bintou, presented at Harlem School of the Arts. We displayed our dedication to creating conversation through theater with two community talk backs where a professional panel and audience members discussed challenging issues within the play. Additionally, Bintou received a positive review in the New York Times and three Audelco Nominations.

The Movement Theatre Company looks forward to nurturing and showcasing the talents of emerging young artists of color. It is our goal to change the face of American theatre to highlight the rich diversity and experiences this country truly holds. We are innovative in our approach, dynamic in our performance, and in action, unforgettable. Indeed, we are the change that we want to see in the world, and more than anything else, we want you to MOVE with us. 

TMTC is a proud member of the Alliance of Resident Theatres (A.R.T) and Harlem Arts Alliance. TMTC has been awarded funding through The Nancy Quinn Fund, a project of A.R.T./New York, Harlem Arts Alliance Community Fund, Ben and Jerry’s Foundation, the Puffin Foundation and Etant donnés: The French-American Fund for the Performing Arts, a program of FACE.